{"id":2501,"date":"2026-08-13T04:18:05","date_gmt":"2026-08-13T02:18:05","guid":{"rendered":"https:\/\/www.phonographie.org\/?p=2501"},"modified":"2026-08-13T04:20:02","modified_gmt":"2026-08-13T02:20:02","slug":"11-09-2026-konzert-mit-drekka-und-btong","status":"publish","type":"post","link":"https:\/\/www.phonographie.org\/?p=2501","title":{"rendered":"[Article 2501]<\/span>11.09.2026: Konzert mit DREKKA und B\u00b0TONG"},"content":{"rendered":"\n
Die Phonophon<\/strong> Konzertreihe im Hochbunker geht weiter!

Diesmal:

DREKKA<\/strong>\u00a0(USA \/ Dais Rec)

<\/div>\n
Working under the name DREKKA<\/strong> since 1996, US American composer Michael Anderson has toured, traveled, and collaborated extensively. Drekka<\/strong> has released a large body of work on labels such as Auris Apothecary, Dais, etc.

Drekka<\/strong> find kinship in the soundscapes and non-linear impressionism of Cindytalk or Coil. But his work is singular, unique, and very personal. Anderson’s work dwells heavily on themes of silence, memory, and forgetfulness; functioning as a direct line to the mind and its tenuous cache of memories.

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Drekka<\/strong> live performances are spontaneous and tailored to the evening, the audience, and the space. The performances utilise primarily live voice and cassette manipulation of recordings sourced from Drekka<\/strong>’s archive. These are collaged on the spot using a mixer, customized tape decks, contact microphones, and a looping station.

<\/div>\n
linktr.ee\/mkldrekka<\/a>
drekka.bandcamp.com<\/a>
drekkalivearchive.bandcamp.com<\/a><\/div>\n
B\u00b0TONG<\/strong> (CH,S \/ Zoharum, Krater Recordings)

<\/div>\n
Chris Sigdell is an experimental electronic musician. He developed a soft spot for early industrial textures and pioneering ambient soundscapes while cutting his teeth in industrial collective NID (1995-2005). He builds an interesting body of work that moves in various directions at the same time. From dealings with ambient and isolationism on one hand and experimental music, ranging from the soft micro-sound end to the more engaging noise end, in a clever combination of ideas…

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B\u00b0TONG<\/strong> has toured all over the place and appeared at festivals such as: Audio Art Festival, Fab_In, Lab30, Norberg Festivalen, Temple Of Silence, Wroclaw Industrial Festival – playing alongside diverse artists such as Bohren und der Club of Gore, Frontline Assembly, Jozef Van Wissem, Puce Mary, Robert Rich, Thomas K\u00f6ner, Zbigniew Karkowski.

<\/div>\n
Reknown Polish label Zoharum releases the new album The Long Gone Tongue to coincide with B\u00b0TONG<\/strong> appearing at Temple Of Silence festival.

<\/div>\n
Some other releases:
– Zenihilist CD 2025 Krater Recordings (Audiophob)
– {Mass} 2xCD 2024 Zoharum
– A Fleeting Moment Of Superabundance LP 2023 Force Majeure

<\/div>\n
https:\/\/www.btongmusic.com<\/a>
https:\/\/.btong.bandcamp.com<\/a>
https:\/\/www.facebook.com\/btongmusic<\/span><\/span><\/a>
https:\/\/youtu.be\/GFRU16ojrVk?si=mutN7AITpGjQ8YCt<\/a>

\n

Wir haben k\u00fchle Getr\u00e4nke vor Ort und freuen uns auf euer Kommen! <\/span><\/p>\n

11.09.2026<\/strong>
<\/span>\ud83d\udccd<\/span> Hochbunker Osthafen, Schmickstra\u00dfe 18, Frankfurt
<\/span> \ud83d\udd52<\/span> Einlass \/ Beginn: 19:00 \/ 20:00
<\/span>\ud83c\udf9f Eintritt: solidarisch gestaffelt 5\u20ac 10\u20ac 15\u20ac

\"\"<\/a>
<\/span><\/p>\n<\/div>\n\n\n","protected":false},"excerpt":{"rendered":"

Die Phonophon Konzertreihe im Hochbunker geht weiter! Diesmal:DREKKA\u00a0(USA \/ Dais Rec) Working under the name DREKKA since 1996, US American composer Michael Anderson has toured, traveled, and collaborated extensively. Drekka has released a large body of work on labels such as Auris Apothecary, Dais, etc.Drekka find kinship in the soundscapes and non-linear impressionism of Cindytalk […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-2501","post","type-post","status-publish","format-standard","hentry","category-konzerte"],"_links":{"self":[{"href":"https:\/\/www.phonographie.org\/index.php?rest_route=\/wp\/v2\/posts\/2501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.phonographie.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.phonographie.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.phonographie.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.phonographie.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2501"}],"version-history":[{"count":2,"href":"https:\/\/www.phonographie.org\/index.php?rest_route=\/wp\/v2\/posts\/2501\/revisions"}],"predecessor-version":[{"id":2506,"href":"https:\/\/www.phonographie.org\/index.php?rest_route=\/wp\/v2\/posts\/2501\/revisions\/2506"}],"wp:attachment":[{"href":"https:\/\/www.phonographie.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.phonographie.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.phonographie.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}